Fleur Thesmar (b. 1972; Paris, France) began an art career in her youth and returned after a burnout when she was a successful lobbyist in France. After moving to the US in 2015, she was enthralled by Californian landscapes. In creating her work, the shapes of the natural world are her primary inspiration: translating them into compelling works of oil and watercolor, as well as digital collage, photography, and textile. She is inspired by nature’s inherent harmonies to inform her work in subject matter and material selection. 

Thesmar’s work is a synthesis of environmentally-aware artmaking, after she became allergic to preservatives contained in most commercial paints. As a result, Thesmar uses environmentally-friendly materials. Thesmar’s artwork is an invitation to the viewer. She focuses her work on offering a range of aesthetic emotions to viewers, rather than imposing them. She invites contemplation of the environment, as well as a space for discovery and imagination. 

In order to translate such aspirations, Thesmar liberates the eye from a single point of perspective and experiments with geometry that allows the translation of perspective, space, and illusions of volume. Often her work features specific points of concentration based on 5-point stars, fractals, and the golden ratio. While Thesmar’s work is based in geometry, it also honors creative expression and randomness.

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Her last body of work, "The Penrose Project", explores the intersection of nature, mathematics, and human expression, with mediums such as digital photography, drawing, textile and video. This philosophical project culminates in a group exhibition that she organized with Nicolas Sultan's portraits, a text by Clemence Boulouque, Professor in Columbia University and music by Sixième Son, Paris.

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Thesmar’s work appears in galleries across the US, Canada, UK, France, and private collections around the world.